SINGAPORE – What started as a modest performance in the corner of a New York bar back in August has transformed into an ambitious endeavor for Singaporean performer Shanice Stanislaus. Alongside her American collaborator, Rachel Resnik, the duo is gearing up for their much-anticipated act at the New York Comedy Festival on November 16 and 17.

But what's this about $200 million? Stanislaus is not just aiming for laughs; she has a grand vision that extends far beyond the stage. With her sights set on transforming the global perception of clowning and performance art, Stanislaus believes that the theatrical genre can be a powerful medium for change. She aims to harness the funds for a multi-faceted project: developing educational programs for underprivileged youth and supporting cultural exchanges that spotlight the art of clowning on grander scales.

The New York Comedy Festival represents a vital stepping stone in her journey, where she hopes to attract potential investors and patrons who share her vision. With the art community's increasing enthusiasm for diverse forms of expression, the festival could be the ideal platform to showcase her unique blend of humor, movement, and social commentary.

As Stanislaus prepares for the festival, she encourages audiences to embrace the unexpected. “Clowning is a universal language,” she asserts. “It connects us all through laughter, transcending barriers and reaching hearts and minds.”

Stay tuned as this captivating act unfolds, and prepare to witness not just comedy, but a movement aimed at inspiring change – all while looking for that monumental $200 million vision!