At the cutting-edge of metal artistry, Rhea Vedro serves as the metalsmithing artist-in-residence and a technical instructor at the Massachusetts Institute of Technology (MIT) within the Department of Materials Science and Engineering (DMSE). Her role symbolizes the dynamic intersection of creativity and empirical science, enriching the student experience by fostering collaboration across diverse disciplines.

“MIT is unique,” Vedro explains. “It brings together talents from the arts, humanities, and sciences. It's in this interdisciplinary climate that innovation flourishes, igniting conversations that merge different perspectives.” This synergy resonates deeply with Vedro, who joined MIT in 2022, describing the position as a perfect reflection of her own journey and passions that have led her to art and metalsmithing.

From her early years in Madison, Wisconsin, Vedro's fascination with metals began. She fondly recalls scavenging for minerals and metal scraps and experiencing pure joy during visits to New York's Garment District, where she rummaged through jewelry components. “Every artist has their calling, and mine has always been with metal; it's my creative home,” Vedro reflects.

After earning a Master of Fine Arts in metals from the State University of New York at New Paltz, Vedro's journey continued to intertwine her artistic practice with community engagement and academia, diving deep into the historical significance of metalsmithing. “Metals have a unique capacity to tell the stories of civilizations,” she states, emphasizing the connection between material culture and human history.

At MIT, Vedro teaches courses that include 3.093 (Metalsmithing: Objects and Power) and 3.095 (Introduction to Metalsmithing). Students explore crucial techniques such as soldering and casting while viewing metalsmithing through a cultural prism. “Objects like tools, badges, rings, and amulets carry weight in relation to power and identity,” she elaborates.

Additionally, Vedro supports lab sections for courses like 3.094 (Materials in Human Experience), linking ancient methods of materials development to contemporary practices, and setting the stage for innovative future technologies.

Her artistic philosophy revolves around transformation—both personal and communal. One of her prominent projects, a commission titled "Amulet," exemplifies this concept, inviting community members to participate in workshops where they create their individualized "wishmarks" on metal sheets—a symbol of intentions for safe journeys. These contributions will be transformed into a stunning installation of 16-to-17-foot birds, which will be placed at Boston City Hall Plaza, symbolizing hope and protection.

The DMSE's Merton C. Flemings Materials Processing Laboratory showcases a blend of creativity and analytical research, attracting students eager to meld practical experience with technical projects. Aspiring engineers and creators approach Vedro with diverse requests, ranging from crafting custom battery housings to developing intricate aerospace components. “It's astonishing to see students strive for excellence, even when facing challenges along their paths,” she notes.

Vedro has witnessed first-hand how the act of working with one’s hands can unlock creativity. “In the Forge/Foundry, students enter a ‘zone’ where time dissipates and the material becomes an extension of themselves,” she describes, highlighting the therapeutic benefits of hands-on creativity.

“What you often find in that state is not just beautiful metalwork; fresh ideas can emerge that influence unrelated projects too,” she explains, showcasing how art transcends typical boundaries.

Reflecting on her unexpected trajectory, Vedro admits, “Fifteen years ago, if someone told me I would be here at MIT, I would have never believed it. My journey has been rich and varied, reminding us all to embrace our unique paths. Every day here energizes me as I explore what new experiences lie ahead.”

Rhea Vedro's work stands not just as a testament to skillful craftsmanship, but also as an inspiring reminder of the possibilities that blossom at the intersection of art and science.